Progress
Photographs from the studio.
Photographs from the studio.
I love you Dubuffet.
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One of my favorite pieces in the Brooklyn Museum is the Likishi Dance Costume. I make time to see her whenever I visit.
Museum Text:
Likishi Dance Costume and Accessories (Mwana Pwevo)
Unidentified Luvale artist, late 19th or early 2oth century Northwest province, Zambia Fiber, wood, hide, metal, seedpods, bark, rope, hair, organic materialsThis complete dance costume shows how masks are normally one part of a larger ensemble. The mask is sewn directly onto the costume of looped bark and fiber, which fits tightly over the body of the dancer. Seedpod rattles and metal bells added a musical aspect to the performance.
Although they are danced by Luvale men, mwana pwevo masks depict women. In order to own and perform with a mask, a man had to symbolically marry it by paying the carver a copper ring as a bride price. In doing so, the dancer made a commitment to honor and care for the spirit represented in the mask. In return, the dancer was able to earn his livelihood performing at local festivals.
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Photo: Andytoad
_________1 2 3 4
_________We are standing here
_________Exposing ourselves
_________We are showroom dummies
_________We’re being watched
_________And we feel our pulse
_________We are showroom dummies
_________We look around
_________And we change our pose
_________We are showroom dummies
_________We start to move
_________And we break the glass
_________We are showroom dummies
_________We step out
_________And take a walk through the city
_________We are showroom dummies
_________We go to a club
_________And there we start to dance
_________We are showroom dummies
_________Kraftwerk
_________Trans-Europe Express (album) 1976
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